dispersion, infiltration, osmosis,
adoption, abstraction, contagion
music that aspires to the dimension of scent
the ONE converting, integrating and engulfing the MANY
the MANY are not isolated, they are in a state of mutual contamination
musical communication only exists on a purely emotional level.
emotionality is immanent,
expression is definitely linked to the instant,
instant is unpredictably transcendent.
PREFORMED MATERIAL AS RAW MATERIAL - AVAILABLE FOR RECREATION
where the material of form is the material’s form
A possible meaning of this work rely on the redistribution of sound,
on rendering the sound available to a re-creation on a perceptive level,
I find here a sense of openness, listening, unrestricted space and flowing movement.
I feel very attracted by this variable and ever changing flow.
I don’t feel a need to look for absolute causes or reasons,
I don’t recognise myself in hierarchical systems of thought
that endlessly try to “explain” and to “give reasons”.
No musical piece here can be reduced to a formula or to a score.
Simultaneity, policentricity and overlapping points of view
are the characteristic elements of this work.
The sound texture is not merely the addition or subtraction
of a number of isolated events,
but is a more complex combination of sound events
that works in a strategy of an imaginary scenography.