dispersion, infiltration, osmosis,

adoption, abstraction, contagion

music that aspires to the dimension of scent

the ONE converting, integrating and engulfing the MANY

the MANY are not isolated, they are in a state of mutual contamination

musical communication only exists on a purely emotional level.

emotionality is immanent,

expression is definitely linked to the instant,

instant is unpredictably transcendent.

PREFORMED MATERIAL AS RAW MATERIAL - AVAILABLE FOR RECREATION

where the material of form is the material’s form

teatro dell’udito

A possible meaning of this work rely on the redistribution of sound,

on rendering the sound available to a re-creation on a perceptive level,

I find here a sense of openness, listening, unrestricted space and flowing movement.

I feel very attracted by this variable and ever changing flow.

I don’t feel a need to look for absolute causes or reasons,

I don’t recognise myself in hierarchical systems of thought

that endlessly try to “explain” and to “give reasons”.

No musical piece here can be reduced to a formula or to a score.

Simultaneity, policentricity and overlapping points of view

are the characteristic elements of this work.

The sound texture is not merely the addition or subtraction

of a number of isolated events,

but is a more complex combination of sound events

that works in a strategy of an imaginary scenography.