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Compositions

alate

for flute, oboe, clarinet, violin, viola, cello, vibraphone & marimba

color temporis

for alto & baritone sax and prepared piano

aureolus • part III

inspired by one of the four treatises of Theophrastus von Hohenheim, called Paracelsus

aureolus • part II

inspired by one of the four treatises of Theophrastus von Hohenheim, called Paracelsus

aureolus • part I “Natura”

inspired by one of the four treatises of Theophrastus von Hohenheim, called Paracelsus

αυως (aurora)

my very first orchestral piece, written in 1986

extensio modi

for prepared piano and electronics

nim

for violin, cello and piano

il suono blu

for cl, hrn, trp, piano, perc, 2 vl, viola, cello, db and live electronics

tamas II

for double bass and percussion

ein wort

for oboe, clarinet, trumpet, trombone, double bass

besamím

for six female voices with stone percussion, fl (also alto), cl, vc, harp

yombé

for 3 japanese percussions and live electronics

un raggio (l'ombra e lo sguardo)

for clarinet (bass cl.), trumpet, piano, 2 percussions, violin, double bass, audio tracks and live electronics

dragma

for recorder, ensemble and live electronics

 

biauté parfaite

for bass recorder, double bass recorder and live electronics

aila

for cl (Bass cl), vl, vc, piano (prepared piano), drums, live electronics, live mix, dancer

lalít

for flute, clarinet, violin, cello, prepared piano, percussion, circuit bent toys, live mix and live electronics

...per essere fresco

for violin and prepared piano

ethuiá VI

for 2 sax, trp, vl, vla, db, el. guit, drums, perc, sampler & electronics

insidie cromatiche

a piece for the Hard Rubber Orchestra for ensemble, circuit bent toys, video and live electronics.

nota polare La (ipsa Venus)

for Walter Zanetti guitar and Silvia Mandolini violin; Giorgio Magnanensi live electronics