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angelica festival 2019
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TDU/XLAB non è una composizione musicale, un’opera d’arte, o un oggetto. TDU/XLAB è uno spazio per un pensiero sonoro: dialoghi attraverso e all’interno del suono, dell’immaginazione e del gioco. L’ensemble strumentale è guidato in un processo di co-creazione sulla base di esplorazioni di oggetti sonori (acustici e elettronici), tessiture, rumori, timbri, spazi, silenzi e risonanze. TDU/XLAB scaturisce quindi da energie individuali e collettive e...

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tower of silence
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tower of silence

Jan 27, 2019

2 songs from Roberto Musci‘s Tower of Silence, where (in the early 90’s) I played “liquid” electric guitar improvisations …another time capsule   Voices Of The Ancient [Download]   Kioko’s Deck [Download]    ...

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mixtophonics
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mixtophonics

Dec 28, 2018

mixtophonics has returned, after 17 years. VNM started mixtophonics in 2001 at the Havana Theatre on Commercial Drive, to offer a space to present sound and music explorations by a variety of young and upcoming artists living in Vancouver. It run for 3 years and it was a great monthly gathering fostering the beautiful energy of people enjoying playing together, reflect, provoke and meet through and within sound....

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magik
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magik

Dec 28, 2018

Marina Hasselberg, cello Giorgio Magnanensi, piano/electronics Kenton Loewen, drums/percussion Silvia Mandolini, Violin  ...

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Things Resounding Things
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On October 31 I had the pleasure to visit John Brennan and his new and beautiful installation Things Resounding Things just before the November 1st opening at The Basically Good Media Lab at Emily Carr University of Arts + Design. Here are a couple of reflections instigated by John’s resounding space. Things Resounding Things is an emergent sound space for both an intimate and a collective experience...

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58
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58

Aug 5, 2018

Here is a random image search for the number of my birthday; today, my 58th birthday, August 5, 2018   Brahms op 58   58 Gin Cerium   Chopin Sonata op 58   John Cage, Fifty-Eight   Messier 58     SHURE SM58      ...

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EGKL + gik
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EGKL + gik

Jul 21, 2018

  for Kenton watch these 2 clips separately, but try also watching them together from the start   made with CHDH EGREGORE SOURCE software    Jacques Attali famously predicted this incipient era in music in 1977 in a classic text hybridising theory, culture, and government policy, Noise: A Political Economy of Music.  After three phases of Ritual Sacrifice  (Church music), Représentation  (scores and stage...

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