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🔵🔷🔹🔷🔵🔷🔷🔹🔷🔵🔷🔹🔷🔵🔷🔷🔹 🈚️ Respirando lentamente, ascoltando l’effimera risonanza di un tempo immutabile; pallido come l’ombra di visioni lontane, fragile, come il gesto nascosto di un silenzio irraggiungibile. Blu, come il desiderio profondo di non esserci piú. 🦋 …things beyond and future things…...
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Here’s some explorations with the great Erd / Worm by Martin Howse Definitely one of my favorite modules so far View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) View this post on Instagram A post shared by Giorgio...
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View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) View this post on Instagram...
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Sonic assemblages using a variety of MIDI paths View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) View this post on Instagram A post shared...
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🈚️⚪️🈚️⚪️⚪️🈚️⚪️🈚️⚪️🈚️⚪️⚪️🈚️⚪️⚪️🈚️ 🈚️⚪️🈚️⚪️⚪️🈚️⚪️🈚️⚪️🈚️⚪️⚪️🈚️⚪️⚪️🈚️ ‘Remain silent, and you sink into a realm of shadows; speak, and you fall into a deep pit. Try, and you’re as far away as sky from earth; give up, and you’ll never attain. Enormous waves go on and on, foaming breakers flood the skies: who’s got the bright pearl that calms the oceans?’ I-ch’ing 🈚️⚪️🈚️⚪️⚪️🈚️⚪️🈚️⚪️🈚️⚪️⚪️🈚️⚪️⚪️🈚️...
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View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) ...
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Playing with 2 wonderful little synths View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) View this post on Instagram A post shared by Giorgio Magnanensi (@giominz)...
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more fun with FSR boxes and Heraclitan Rhythm Machine View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) View this post on Instagram A post shared by Giorgio Magnanensi (@giominz)...
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View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) View...
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View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) Sound really is a mysterious and obscure kind of energy, a nexus of physics, mind and culture, connecting us to a vast array of emotions and memories while listening to the resonances of enigmatic and visceral forces. A shimmering thread, a whispering breath, …or a school for democracy. In...
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…embracing chaos, emerging noise “Chapter Five, Composing We see emerging, piecemeal and with the greatest ambiguity, the seeds of a new noise, one exterior to the institutions and customary sites of political conflict. A noise of Festival and Freedom, it may create the conditions for a major discontinuity extending far beyond its field. It may be the essential element in a strategy for the...
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CPL Cross Crosstalk View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) CPL Cross Crosstalk with Blippoo and Benjolin View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) CPL Cross Crosstalk & Stereofiled long noise trip ...
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finally ITISYSM‘s release of SUPERIMPOSER is here! Click on the image below and ENJOY! also on bandcamp The debut of Vancouver’s I THINK I SAW YOU SEE ME is a rousing, panoramic affair that bursts through the confines of its chosen format, the cassette. The quintet collectively finds the mid-point between proggy intricacy and the brazen heft of so-called math-rock, and departs from there...
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Quadrantid Swarm driven by Reaktor via MIDI Quadrantid Swarm driven by MaxMSP pitch to MIDI (via mic input) …with sinewave drones in the background Quadrantid Swarm driven by MaxMSP pitch to MIDI …with Zeitgeist Quadrantid Swarm MIDI driven by MaxMSP Jitter …and prepared piano (motion to MIDI to sound)...
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A few years ago I started using wood boards from mill waste to build both resonators and touch interfaces. I find the touchboards to be a great tool to allow a certain kind of flow,… or maybe ’embodied resonance’. gesti e figure con mani L’ornamento è attributo della creativitá, gesto e figura / gesture and figure Within the ornament its own origin becomes infinitely...
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…another example of not resisting the instrument, starting from a precarious state of balance. I deeply enjoy the raw simplicity of these oscillators, and their involuntary presence. There is always something beautiful in not wanting. If I think about sound as being-outside-oneself I breathe an intensity I can hardly find in any desire or “wanting”, a new kind of ‘interiority’, a displaced and upside...
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“From a certain point of view improvisation is the highest mode of musical activity, for it is based on the acceptance of music’s fatal weakness and essential and most beautiful characteristic -its transience. The desire always to be right is an ignoble taskmaster, as is the desire for immortality. The performance of any vital action brings us closer to death; if it...
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We are all relatives’ when taken as a methodological tool for obtaining knowledge means that we observe the natural world by looking for relationships between various things in it . . . and the total set of relationships makes up the natural world as we experience it. This concept is simply the relativity concept as applied to a universe that people experience as alive...
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Lots of fun playing Benjolins with the FSR boxes! Butterfly Benjolin made by Derek Holzer played with FSR12 frottla aviaria View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) breathing spectra on Benjolin (frottola spaziale) View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) FSR 12, with Benjolin and Blippo ...
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…and to his magical instrument, the Blippoo Box View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) “I have always considered sound a “material” to sculpt; thus I consider the “art” aspect of the Blippoo Box to consist of how it sculpts sound...
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this one is for Larry @dronefinger and Rene @basssleeper ”Sounds of every sort are surging incessantly through the air. When we walk by the seaside, a salty tang of brine enters our mouth ; when we watch a draught of wormwood being mixed in our presence, a bitter effluence touches it. So from every object flows a stream of matter, spreading out in all...
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with Jade plant’s random voltage, Pressure Points, Scíon and a rewired FM Buddha Machine and a παιάν for Constantine Katsiris testing FSR with rotary switch (Sept 2022) View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) with FSR box View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) ...
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Going back 20 years tonight… These toys were already 25yo when I got them and they are still up and running after so long. I’m not sure what happened to all the circuitbenders active in Vancouver in the very early 2000’s, but meanwhile hacking electronics has been already expanding beyond that. In any case, this is nothing nostalgic, …we flow, as always, like leaves...
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This one is for all my friends, everywhere. It’s so nice to breathe with some Holy Basil’s energy tonight, while discretely aging a bit more. The thing is that while the modules just reveal fluctuations of micro-voltages, you are immediately brought into a different sentient state of being and playing. The same state we can be when within a forest. The sound though, is...
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One last beautiful day in the forest with some beautiful sounds, caviidae, othoptera, sinewaves, pinknoise and with some friends playing together. A wonderful ending, hoping to be back in the forest very soon. Trees within trees, resonating trees… a really wonderful time breathing in and resounding within. We need to remember – every single moment – how this kind of beautiful lives really are...
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Honouring Iannis Xenakis and his visionary work on his 100th anniversary Check also META-XENAKIS for international events More minipolytopes HERE minipolytope 00 minipolytope 01 minipolytope 02 minipolytope 03 minipolytope 04 minipolytope 05 minipolytope 06 minipolytope 07 minipolytope 08 minipolytope 09 minipolytope 10 minipolytope 11 minipolytope 22 (per Chris Rolfe) ...
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One day in the early Spring 1998, an anonymous Japanese man encountered on the Chiyoda Line in Tokyo, told me out of the blue these exact words: “Those who recognize that imagination is the arbiter of reality we call them ‘wise’, those who then put this knowledge into practice in life we call them ‘artists’ “. After that he disappeared in a large crowd...
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I go back today to these lines about an old idea of failure and resistance, a paradox maybe. Tough, one I wish to hold on while living in our ever more desperate planet. While not new, Kundera’s words resonate again very strongly with me at this age and time. Maybe too many ‘drops’ have been slowly filling me up. While in a...
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Heraclitan Rhythm Machine & Hydra Beside myself, there are at least 3 people who might enjoy these sound engines: the two great wizards who kindly and intensely made them for me, Dan and Larry, and @basssleeper who is one of my favourite bass player and a great listener. Cheers to them and every one! …and to Constantine, he has two reasons why. Though after...
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…with liquid lights and distant radio wavesI’m loving playing with theses sharp brash sounds, and these two instruments are really great together. It’s always like a phantasmagoric dive in sonic energies which are constantly present but get triggered or amped by touch, pressure and resistance. Entering microscopic shimmering veils of electrons, disturbed by random currents and abrupt surges, for me is like entering rapid...
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for Kenton @kentonloewen, who has always known my passion for Electricity. ….though it sounds better in Italian, it is just a metaphor to give homage to electricity first, and give credit and love to everyone who like me love it. They all have been further inspiring me in adventuring further in so many ways. When there is no future, in spite of all the...
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who always shared transparent and resonating visions: “A bell of mindfulness, whether it is an actual bell or some other sound, is a wonderful reminder to come back to ourselves, to come back to life, here in the present moment.“ “Within the sound of mindful breathing, compassion is holding the hand of anger, and they dance.“ ☯️ ...
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solaramps test run ‼️it can be loud‼️ Lots of great rich drones and more. Works with mini solar panels and cv controllers This is for Dan and Jakob. Great people, and inspiring electronics wizards. @beauditude @bouq.et I can’t wait to bring this box in the full sun sometime soon. ...
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This is a room recording directly to the camera mics. So, we are missing the omnidirectionality and a bit of transparency in the air that would smooth the Maple’s shimmering resonance. Though there is no way to capture the sound as in presence. As always, depending on the sound, you might need some simple eq. and a subwoofer, to cover the 110 Hz...
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Playing and learning with new and older instruments. This is for @inestancre @coryalder @jimblackmusic and for everyone who enjoy these raw experiments. Though, listen NOT at full volume, as at times dynamics and frequencies are wild. I’m having fun, and I hope some of you might as well… aesthetics seems unnecessary these days. I really like the Krohn-Hite filter, and I’m happy that the cleaning...
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for spatialized ensemble and diffused electronics (2021) Music by Giorgio with FontanaMIX Audio track of the final Coda by Chris Rolfe (2021) – Walter Zanetti, solo guitar Lavinia Guillari (flutes) – Marco Ignoti (clarinets) – Stefano Malferrari (piano and keys) Nicola Evangelisti (electronics and audio diffusion) Francesco La Licata (electronics) Franco Venturini (piano and keys) – Nunzio Dicorato (percussion) Walter Zanetti (guitars) – Alice...
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for Walter I played this Washburn Eagle a lot in the early 90’s with my dearest friend and beautiful musician and guitarist Walter Zanetti. It has been long waiting in a corner in my room, and tonight it called me back… I’m not a guitar player, as you can see…, but i love the energy and the sounds i can find with it....
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I finally repurposed a few old and broken transistor radios into some nice noise machines 01. View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) 02. View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) 03. View this post on Instagram A post shared by Giorgio Magnanensi (@giominz)...
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We finally started our research and experiments with the interactive floor. After testing and experimenting for sometime with a variety of smaller settings, this is finally a prototype for a possibly larger floor and walls system that I look forward to developing with Josh Martin, and sharing it with everyone in the near future. ...
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VEXATIONS for Erik Satie’s Birthday on 17th May 2021 …another reading, celebrating Erik Satie’s 155th birthday VEXATIONS for Erik Satie’s Birthday on 17th May 2020 This version of Vexations was made reading a “translation” of my piano rendition as a midi file then read again into a MaxMSP pitch tracker patch that uses an emulation of the 1972 Eminent 310 string synthesizer Part of the VEXING PROJECT ...
![materialismo @ F[r]esta](https://giorgiomagnanensi.com/wp-content/uploads/2021/05/materialismo-@-fresta-thumb-640x480.jpg)
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A distant collaboration with Vicky Mettler (aka Kee Avil) presented by Sawdust Collector and Barking Sphinx View this post on Instagram A post shared by Sawdust Collector (@heysawdustcollector) View this post on Instagram A post shared by Sawdust Collector (@heysawdustcollector) ºººº Sawdust Collector and Barking Sphinx Performance Present ºººº FieldTrips • May 2021 Weekly Releases, Tuesdays at 9:30 pm • May 4...
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Noise is the alter ego, Ianus Bifrons. The philosopher’s stone: a golden stone is still a stone. This work is a short ode to things I hold dear in my life: our beautiful planet, friendship, love and imagination. Musical communication only exists on a purely emotional level. Emotionality is immanent; expression is definitely linked to the instant, instant is unpredictably transcendent. Dedicated to...
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Testing a prototype floor/touch board, to use with dancers in a future project I’ll expand this to a 5’x8′ floor with at least 2 piezos to drive Max/MSP, and possibly run multichannel audio out in 8 wood resonators. It should be pretty fun and engaging both to use and watch/listen. …hopefully sometime in a not too distant future : ) …with the blippoo box...
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Leah Abramson and her daughter Alma (age 2), sent me these two images after they attended a recent VNM/LABORATORIO Painting Music • One-Page Score workshop. I had fun working and sonifying these great graphic scores in these last few days. Thank you Leah and Alma! Leah Abramson, Matrescence Alma Abramson Huizing, Untitled ...
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Looking for electric guitar players and electric bass players willing to have some fun with this one-page score I wrote years ago for Ron Samworth in a short 3 minutes interlude of a larger piece for the great Hard Rubber Orchestra. If I get a few versions it would be fun to create a remix of all the various takes. I hope someone out...
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Here’s a new spring instrument built with a small sitka spruce board equipped with a variety of springs and a piezo underneath. Very fun to play. Now I have two spring instruments!! And I am looking forward to playing a nice spring duet with my friend Kedrick who is building his own spring instrument right now! This is dedicated to my dearest friend...
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Here’s where I’m at the beginning of this year, engaging with the materiality of sonic systems, extending mind and body while practicing movements with the purpose of making music, …or simply producing sonic matter. Focusing on this kind of instruments as source of and inspiration for an embodied sonic activity has kept me away and free from any need of (self-) expression; and being...
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Parallel 03: Endlings (Raven Chacon and John Dieterich) + collaborators https://www.parallel03.com/ Parallel 03 brings together a new collaboration between New Mexico-based musicians Raven Chacon and John Dieterich (known together as Endlings) and six Vancouver musicians and sound artists utilizing a variety of cross-platform and anonymous methods for composition and improvisation. Composed, recorded, and arranged over four months of isolation in 2020, the eight...
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Crow Stone Tone Poem (2016-2020) by Julie Andreyev and a crow Interpreted and performed by Giorgio Magnanensi And here’s a recent performance of the piece at Emily Carr University: A collaboration with a free-living crow who lives in the territory that includes my home. This project is based on interspecies play using stones, initiated by the adult crow who gifted me a...
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13 attitudes THINK LIKE A FOREST ACT LIKE A MEADOW This publication was put together as part of The Laboratory of Insurrectionary Imagination’s 9th Experiment: C.R.A.S.H: A post capitalist A to Z. London June 2009. Design: Škart and Simona Staniscia Share, redistribute, recycle and...
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for Chris Rolfe ναυσίη (nausiē), noise, bruit, rumore, geräusch… il rumore è l’alter ego, Ianus Bifrons la pietra filosofale: a golden stone is still a stone. ansia rumore sogno ******* No speakers used in this set, only 2 sitka spruce resonators and a plate reverb with touch boards (plywood & douglas fir bark), blippoo box, Max/MSP and Bare Conductive sensors. Live recording –...
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AUDIOSFERA AUDIOSPHERE Social Experimental Audio, Pre- and Post-InternetCollective Exhibition Sound piece selected : Very Glitchy PatchMuseo Nacional Centro de Arte Reina Sofía • Madrid, Spain14 October, 2020 – 11 January, 2021 /Sabatini Building, Floor 3 Curated by Francisco LópezAUDIOSPHERE Sound Experimentation 1980-2020 AUTHORS: Francisco López, Thomas Bey William Bailey, Margie Borschke, Victor Nubla, Luis Alvarado, Guy Marc Hinant, Salomé Voegelin, Caleb Kelly, Paul...
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3 short improvisations using touch on a sitka spruce cloud with piezo to trigger various kinds of audioprocessing in a max msp patch. …and here below using a plywood board …”dream machine” driven by plywood View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) View this post on Instagram A post shared by Giorgio...
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Elastic Stars released neu album ‘MUZiK’ on Tuesday, August 25, 2020. Recorded, Produced, & Mixed by-the-hand-of-the-band on Analog Tape at Elastic Stars Productions in Vancouver, CANADA, without the use or help of the almighty Computer, ‘MUZiK’ was sleekly designed to satellite the band’s favourite international playlists found exclusively on the World Wide Web. So sit back and enjoy the entirety of neu album ‘MUZiK’...
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September 4 – October 4, 2020 Doris Crowston Gallery at the Sunshine Coast Arts Centre Soundwalk with Hildegard Westerkamp: Friday, September 4 at 2pm Skills for Solitude with Giorgio Magnanensi: Sunday, September 27 at 11am At the Edge of Wilderness is a Sound-Slide Installation about Ghosttowns in British Columbia. The installation explores a strange moment of excitement and magic, discovery and adventure, the moment when...
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Franco Donatoni (Verona, June 9, 1927 • Milano, August 17, 2000) ARGOT • two pieces for solo violin (1979) Silvia Mandolini, Violin Recorded in Bologna • August 16, 2020 • Chiesa dei Santi Cosma e Damiano Video: Alma Napolitano & Marco Mangani My dear friend and fantastic violinist Silvia Mandolini sent me this recording today, to remember and honour Franco Donatoni in the...
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Ten years ago I wrote this short piece as a little homage to a great man, musician and friend, Franco Donatoni. Today, almost 10 years later, I’m thinking about Franco again in the 20th anniversary of his passing. The piece was written for the mdi ensemble which performed at the Venice Biennale in September 2010 in a program dedicated to Franco who passed away twenty...
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Today is my 60th birthday, August 5, 2020 To celebrate I’m sharing this short paragraph which is the ending of Dino Buzzati’s first of his Sixty Stories: I sette Messageri (The Seven Messangers) and a couple of inspiring excerpts by David Dunn. […] Un’ansia inconsueta da qualche tempo si accende in me alla sera, e non è più rimpianto delle gioie...
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for/with Marina Hasselberg, cello Thank you Marina! Thank you to John Korsrud and to The Hard Rubber Orchestra/An Earful of Vancouver for commissioning this video, and to Marina for her beautiful playing and the embracing of these resonances. This is Panel III from: TDU MH – il fuoco e l’artificio (2018) for cello, 16 Red Cedar and Pacific Maple resonators and live electronics https://giorgiomagnanensi.com/tdu-mh-2/...
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for Marina Hasselberg Maps and Shadows Is it possible to transform different representations of music to space, and vice versa? Is there a point where they collapse into each other? Sound like space is a place in which we are embedded, in which the sensory experience of reality and artistic form can finally converge. Space as a dimension of time implies movement, maps and presence. Sonorous spaces...
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A max msp patch tracking pitch/noise. I used it in various ways to create midi files that then are being fed into other instruments and so on… a feedback loop of recursive processes to forget traces and to find new paths, looking for musicality hidden everywhere. ambient 1 https://giorgiomagnanensi.com/wp-content/uploads/2020/06/descrittore-14.mp4 Glenn Gould’s voice https://giorgiomagnanensi.com/wp-content/uploads/2020/06/descrittore-13.mp4 James Joyce’s voice https://giorgiomagnanensi.com/wp-content/uploads/2020/06/descrittore-12.mp4 voice in mellotron...
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Five of Janice Wong‘s drawings inspired these resonant electronic miniatures. I worked on these images using various readings to generate counterpoints of sinewaves and resonant textures that follow and embody the transparent and spacious structures of Janice’s work. The sound was captured live in the room with 4 microphones. No speakers have been used as my setup includes only metal and wood resonators. – May...
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For Marc Kate, April 28, 2020 https://giorgiomagnanensi.com/wp-content/uploads/2020/05/framm-1.mp4 https://giorgiomagnanensi.com/wp-content/uploads/2020/05/framm-2.mp4 https://giorgiomagnanensi.com/wp-content/uploads/2020/05/framm-3.mp4 https://giorgiomagnanensi.com/wp-content/uploads/2020/05/framm-4.mp4 https://giorgiomagnanensi.com/wp-content/uploads/2020/05/framm-5.mp4 https://giorgiomagnanensi.com/wp-content/uploads/2020/05/framm-6.mp4 https://giorgiomagnanensi.com/wp-content/uploads/2020/05/framm-7.mp4 https://giorgiomagnanensi.com/wp-content/uploads/2020/05/framm-8.mp4 ...
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failure and resistance […] The only thing I deeply, avidly, wanted was a lucid, unillusioned eye. I finally found it in the art of the novel. This is why for me being a novelist was more than just working in one “literary genre” rather than another; it was an outlook, a wisdom, a position; a position that would rule out identification with any politics, any...
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This would have been such a wonderful evening. Alas, due to the COVID 19 pandemic, it never happened… MARCH 28, 2020 at the ANNEX Experience the beautiful sounds of this international collaboration between virtuosic Italian violinist Silvia Mandolini, and magik (Kenton Loewen, drums; Marina Hasselberg, cello; Giorgio Magnanensi, diffusion and live electronics). The evening will feature two world premieres: one...
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I Think I Saw You See Me Cole Schmidt guitar, Gavin Youngash guitar, James Meger bass, Kenton Loewen drums, Giorgio Magnanensi electronics, strings synth and wood resonator ITISYSM live at RED GATE Dec 14, 2019 (Thank you Lee!!) Vancouver’s post-rock noise machine I Think I Saw You See Me blends reckless, rhythmic cycles and sculpted, melodic noise. Cole Schmidt guitar, Gavin...
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Made with snippets of various improv in-between takes from our recording sessions at Afterlife Studio, …plus some rugged noisy videos and glitches. Cole Schmidt guitar, Gavin Youngash guitar, James Meger bass, Kenton Loewen drums, Giorgio Magnanensi electronics and wood resonator ...
