![[...] a ceremonial world (in the fullest sense of the term) is an actively constructed portrait of the world intended to be responsibly true, one which rings true for everybody’s well-being. It is a world built on the basis of an ethical-epistemological orientation of attentiveness (or, as Native Americans tend to put it, respect) rather than an epistemology of control. From " Truth and Native American Epistemology" by LEE HESTER and JIM CHENEY
full text here: https://webpages.uidaho.edu/~morourke/524-phil/Readings/hester.pdf #nativeamerican #epistemology #respect](https://scontent.cdninstagram.com/vp/7041b548e127a73c4c8dec0dc80c66c5/5D4EFE39/t51.2885-15/e35/s150x150/51840537_403522747125824_8743555961607487375_n.jpg?_nc_ht=scontent.cdninstagram.com)
alate
for flute, oboe, clarinet, violin, viola, cello, vibraphone & marimba
ensemble Octandre, Giorgio Magnanensi conductor • Bologna, December 1988
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3D audiovisualization chris rolfe circuit bending data bending design drone electronics feedback free form glitch granular synthesis guitar improvisation installation jitter Kedrick James kenton loewen live electronic live electronics live improvisation live performance live recording live remix max msp Max Msp Jitter noise oscilloscope pixels pixel sorting processing randomizers reaktor remix selfgenerative patch sine waves sinewaves sonification sound objects supercabin teatro dell'udito VEE video videopainting vnm