Audio + Video
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48:48
…a time capsule found in an old hard drive a few days ago. Kenton Loewen, drums Giorgio Magnanensi, electronics & video Recorded live in Vancouver • February 5, 2014 ...
read morespringbox klang
No speakers used in this set, just the springbox, sitka resonators, plate reverb, piezo, touch sensors and...
read moreναυσίη
for Chris Rolfe ναυσίη (nausiē), noise, bruit, rumore, geräusch… il rumore è l’alter ego, Ianus Bifrons la pietra filosofale: a golden stone is still a stone. ansia rumore sogno ******* No speakers used in this set, only 2 sitka spruce resonators and a plate reverb with touch boards (plywood & douglas fir bark), blippoo box, Max/MSP and Bare Conductive sensors. Live recording – Roberts Creek, November 10, 2020 ANXIETY • NOISE • DREAM ...
read moreDouglas Fir Touch-Bark
Here a few clips of my new Douglas Fir Touch-Board, equipped with a piezo to drive Max MSP Jitter and a Bare Conductive Touch Board with added meatl sensors (last clip). I’m having a lot of fun playing wih this bark! ...
read moreAUDIOSFERA
AUDIOSFERA AUDIOSPHERE Social Experimental Audio, Pre- and Post-InternetCollective Exhibition Sound piece selected : Very Glitchy PatchMuseo Nacional Centro de Arte Reina Sofía • Madrid, Spain14 October, 2020 – 11 January, 2021 /Sabatini Building, Floor 3 Curated by Francisco LópezAUDIOSPHERE Sound Experimentation 1980-2020 AUTHORS: Francisco López, Thomas Bey William Bailey, Margie Borschke, Victor Nubla, Luis Alvarado, Guy Marc Hinant, Salomé Voegelin, Caleb Kelly, Paul Hegarty, Greg Hainge, Christoph Cox, John Oswald By way...
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LOGS
…this is for David Roberts Creek beach September 21, 2020 • a serendipitous collaboration Video: Finnegan Magnanensi Sound: David Murphy Editing, Mix and Animation: Giorgio Magnanensi ...
read moreMarina’s 2 improv sets
A couple of improv sets by Marina Hasselberg for which I did some video enhancement: ...
read moresitka clouds 1, 2 & 3 (…and plywood)
3 short improvisations using touch on a sitka spruce cloud with piezo to trigger various kinds of audioprocessing in a max msp patch. …and here below using a plywood board …”dream machine” driven by plywood ...
read moremusique concrète
playing a sitka spruce cloud equipped with a piezo and triggering various audio processes in a max msp patch. ...
read moreWHERE DOES iT GOES
Elastic Stars released neu album ‘MUZiK’ on Tuesday, August 25, 2020. Recorded, Produced, & Mixed by-the-hand-of-the-band on Analog Tape at Elastic Stars Productions in Vancouver, CANADA, without the use or help of the almighty Computer, ‘MUZiK’ was sleekly designed to satellite the band’s favourite international playlists found exclusively on the World Wide Web. So sit back and enjoy the entirety of neu album ‘MUZiK’ as though you are grooving within the cerebral algorithms of the world’s only known...
read moreof the now: Archipelago
Excerpts from the livestream double artist talk, presented by of-the-now: Archipelago, June 20, 2020. Conversation recorded June 19, 2020, by Jeff Morton. Erin Gee & Giorgio Magnanensi with Jeff Morton ...
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il suono arancione (80 bpm)
…a solitary nocturnal dance… listen with headphones remix ad libitum ...
read moreThe Magical Forest
for/with Marina Hasselberg, cello Thank you Marina! Thank you to John Korsrud and to The Hard Rubber Orchestra/An Earful of Vancouver for commissioning this video, and to Marina for her beautiful playing and the embracing of these resonances. This is panel III from: TDU MH – il fuoco e l’artificio (2018) for cello, 16 Red Cedar and Pacific Maple resonators and live electronics https://giorgiomagnanensi.com/tdu-mh-2/ TDU MH has been written with the support of the Canada Council for the Arts and it is dedicated to Marina Hasselberg. This...
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graindust XX
Today’s project, July 12, 2020… a very very strange summer… and a bit of sparkly bits around a foggy mind… ...
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ondas de sombra
for Marina Hasselberg Maps and Shadows Is it possible to transform different representations of music to space, and vice versa? Is there a point where they collapse into each other? Sound like space is a place in which we are embedded, in which the sensory experience of reality and artistic form can finally converge. Space as a dimension of time implies movement, maps and presence. Sonorous spaces – like traversable spaces – map our perception of time; and to light sound should be compared when sound is not just what we hear but...
read morePlate Reverb
I finally got to use this Plate Reverb with some nice Blippoo’s sounds, live recorded in the room. Happy about the results and looking forward to playing live with it sometime, some day… ...
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descrittore
A max msp patch tracking pitch/noise I used in various ways to create midi files that then are being fed into other instruments and so on… a feedback loop of recursive processes to forget traces and to find new paths. ambient 1 https://giorgiomagnanensi.com/wp-content/uploads/2020/06/descrittore-14.mp4 Glenn Gould’s voice https://giorgiomagnanensi.com/wp-content/uploads/2020/06/descrittore-13.mp4 James Joyce’s voice https://giorgiomagnanensi.com/wp-content/uploads/2020/06/descrittore-12.mp4 voice...
read morerisonanze
• ELECTRONICS: Blippoo Box – Wavetek Pulse/Function Generator – Stylophone Gen X-1 – Oscilloscope • WOOD, METAL & STONE RESONATORS – Stereo Red Cedar Board – Stereo Sabian Cymbal – Stereo Steel Drum – Slate/Piezo ...
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miniatures on 5 drawings by Janice Wong
Five of Janice Wong’s drawings inspired these resonant electronic miniatures. I worked on these images using various readings to generate counterpoints of sinewaves and resonant textures that follow and embody the transparent and spacious structures of Janice’s work. The sound was captured live in the room with 4 microphones. No speakers have been used as my setup includes only metal and wood resonators. – May 23, 2020 Instrumentation: Blippoo Box, Pulse Generator, Sinewave Generator, Cymbal, Steel Drum & Red Cedar...
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the time of lightning
Silvia Mandolini, violin • Giorgio Magnanensi, live electronics/visuals ~ for George McCutcheon ~ ...
read moreVexing project
VEXATIONS for Erik Satie’s Birthday on 17th May 2020 This version of Vexations was made reading a “translation” of my piano rendition as a midi file then read again into a MaxMSP pitch tracker patch that uses an emulation of the 1972 Eminent 310 string synthesizer Part of the VEXING PROJECT LIVE STREAM ...
read moreSRCC
for Chandra May 1, 2020 slate, radio board, cymbal resonator & cedar bark resonator (no speakers have been used in this set) (TDU XAM) Use headphones...
read more8 frammenti senza memoria
For Marc Kate, April 28, 2020 https://giorgiomagnanensi.com/wp-content/uploads/2020/05/framm-1.mp4 https://giorgiomagnanensi.com/wp-content/uploads/2020/05/framm-2.mp4 https://giorgiomagnanensi.com/wp-content/uploads/2020/05/framm-3.mp4 https://giorgiomagnanensi.com/wp-content/uploads/2020/05/framm-4.mp4 https://giorgiomagnanensi.com/wp-content/uploads/2020/05/framm-5.mp4 https://giorgiomagnanensi.com/wp-content/uploads/2020/05/framm-6.mp4 ...
read more1997 (time capsule)
A new video for an old audio track made while working with the PODX system at SFU in the Spring of 1997. ...
read morefor Ian Ross
This is for Ian Ross (aka C130) who is not only a great and wonderful guy and friend, but also a fantastic audiovisualist ...
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six miniatures for Kenton Loewen
six miniatures for Kenton Loewen A tiny gift for a great and dearest friend in the day of his Birthday. With lots of love my friend. I hug you as strong as I always do. I miss you. (April 7, 2020) ...
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moire experiments for Ari
Some video experiment with moire and fractals for Ari Lazer This excerpt below is from a longer clip as the full 10-min clip is too heavy to upload ...
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Buon Anno! • Happy New Year!
https://giorgiomagnanensi.com/wp-content/uploads/2019/12/HNY-sineworks.mp4 ...
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Upstate NY Panorama
Original clips by Kenton Loewen, traveling by traing to Upstate NY – December 27,2019 ...
read moreITISYSM
I Think I Saw You See Me Cole Schmidt guitar, Gavin Youngash guitar, James Meger bass, Kenton Loewen drums, Giorgio Magnanensi electronics and wood resonator ITISYSM live at RED GATE Dec 14, 2019 (Thank you Lee!!) Vancouver’s post-rock noise machine I Think I Saw You See Me blends reckless, rhythmic cycles and sculpted, melodic noise. Cole Schmidt guitar, Gavin Youngash guitar, James Meger bass, Kenton Loewen drums, Giorgio Magnanensi electronics/wood resonator build severe abstract forms and multilayered...
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ITISYSM Bonus Track
Made with snippets of various improv in-between takes from our recording sessions at Afterlife Studio, …plus some rugged noisy videos and glitches. Cole Schmidt guitar, Gavin Youngash guitar, James Meger bass, Kenton Loewen drums, Giorgio Magnanensi electronics and wood resonator ...
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After Life Studios short improv
A short improv in between sets of ITISYSM’s recording on July 24, 2019 (Roland RS-202 Strings, Blippoo Box, Max Msp, Sitka Spruce stereo resonator) G AFTERLIFE Short Improv(2) ...
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sorting TNG
pixel sorting a clip from the TNG site. The IllustrisTNG project is a suite of state-of-the-art cosmological galaxy formation simulations. Each simulation in IllustrisTNG evolves a large swath of a mock Universe from soon after the Big-Bang until the present day while taking into account a wide range of physical processes that drive galaxy formation. The simulations can be used to study a broad range of topics surrounding how the Universe — and the galaxies within it — evolved over time. ...
read more4 microludes for Bruno
These little snippets of harpsichord sounds were inspired by discussion with Bruno Cavalca while around a beautiful Craig Tomlinson’s Harpsichord in our class at VCC. ...
read moreDungeon Master
Dungeon Master, recorded live at 8EAST, November 1, 2019 Dungeon Master by Shades of Scorpius JP Carter, Trumpet + FX • Lee Hutzulak, Synthesizers & Sampler Kenton Loewen, Drums & Percussion • Giorgio Magnanensi, Laptop & Piano ...
read morequiet city set
Thank you Constantine!! And QUIET CITY And thank youy Jaewoo Lee for the great room recording Quiet City g four red cedar resonators, blippoo, dod delay and oscilloscope ...
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MAGIK
MAGIK is a new Vancouver-based project that brings together Giorgio Magnanensi’s resonant woods with two of Vancouver’s most respected musicians, Marina Hasselberg cello, Kenton Loewen drums and Ucluelet based video artists Nicolas Teichrob. MAGIK plays within a multi-layered, live electro acoustic surround sound-space among flat audio panels of hand cut West Coast Red Cedar, Sitka Spruce and Pacific Maple. The panels serve both as wooden resonators and diffusers, becoming the medium of our written and improvised soundscapes. Sound become...
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very glitchy patch
⚠ Warning: This video may potentially trigger seizures for people with photosensitive epilepsy ...
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TDU/XLAB
MUSIC AS HONEY OF SOCIETY The INCROCIorchestra is ready in the hall of the San Leonardo theater, waiting for the director to begin the performance with his gesture. The hand that will lead the orchestra for the AngelicA international music festival along a 55-minute journey is Giorgio Magnanensi’s. Erroneous would be to think that the listening experience, of which the audience and the musicians are going to benefit, is the product of the moment and ends in it: the composer’s Theatre for the Ear has much deeper roots both...
read moreangelica festival 2019
TDU/XLAB non è una composizione musicale, un’opera d’arte, o un oggetto. TDU/XLAB è uno spazio per un pensiero sonoro: dialoghi attraverso e all’interno del suono, dell’immaginazione e del gioco. L’ensemble strumentale è guidato in un processo di co-creazione sulla base di esplorazioni di oggetti sonori (acustici e elettronici), tessiture, rumori, timbri, spazi, silenzi e risonanze. TDU/XLAB scaturisce quindi da energie individuali e collettive e offre interazioni variabili a partire da (e viaggiando attraverso)...
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tower of silence
2 songs from Roberto Musci’s Tower of Silence, where (in the early 90’s) I played “liquid” electric guitar improvisations …another time capsule Voices Of The Ancient Kioko’s Deck ...
read moremagik
Marina Hasselberg, cello Giorgio Magnanensi, piano/electronics Kenton Loewen, drums/percussion Silvia Mandolini, Violin ...
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EGKL + gik
for Kenton watch these 2 clips separately, but try also watching them together from the start made with CHDH EGREGORE SOURCE software Jacques Attali famously predicted this incipient era in music in 1977 in a classic text hybridising theory, culture, and government policy, Noise: A Political Economy of Music. After three phases of Ritual Sacrifice (Church music), Représentation (scores and stage performance), Répétition (recorded media), Attali forecasts a fourth phase called Composition, where music becomes process...
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