[. . . The painter Millet used to say that what counts in painting is not, for example, what a peasant is carrying, whether it is a sacred object or a sack of potatoes, but its exact weight. This is the postromantic turning point: the essential thing is no longer forms and matters, or themes, but forces, densities, intensities. The earth itself swings over, tending...
3D audiovisualization chris rolfe circuit bending data bending design electronics feedback free form glitch granular synthesis improvisation installation jitter Kedrick James kenton loewen live electronic live electronics live improvisation live performance live recording live remix max msp Max Msp Jitter noise orchestra oscilloscope pixels pixel sorting processing randomizers reaktor remix selfgenerative patch sine waves sinewaves sonification sound objects supercabin teatro dell'udito VEE video videopainting vnm West Coast Radians