





…another example of not resisting the instrument, starting from a precarious state of balance. I deeply enjoy the raw simplicity of these oscillators, and their involuntary presence. There is always something beautiful in not wanting. If I think about sound as being-outside-oneself I breathe an intensity I can hardly find in any desire or “wanting”, a new kind of ‘interiority’, a displaced and upside...

Lots of fun playing Benjolins with the FSR boxes! Butterfly Benjolin made by Derek Holzer played with FSR12 frottla aviaria View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) breathing spectra on Benjolin (frottola spaziale) View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) FSR 12, with Benjolin and Blippo ...

…and to his magical instrument, the Blippoo Box View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) “I have always considered sound a “material” to sculpt; thus I consider the “art” aspect of the Blippoo Box to consist of how it sculpts sound...

this one is for Larry @dronefinger and Rene @basssleeper ”Sounds of every sort are surging incessantly through the air. When we walk by the seaside, a salty tang of brine enters our mouth ; when we watch a draught of wormwood being mixed in our presence, a bitter effluence touches it. So from every object flows a stream of matter, spreading out in all...