Sonic assemblages using a variety of MIDI paths View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) View this post on Instagram A post shared...
View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) Sound really is a mysterious and obscure kind of energy, a nexus of physics, mind and culture, connecting us to a vast array of emotions and memories while listening to the resonances of enigmatic and visceral forces. A shimmering thread, a whispering breath, …or a school for democracy. In...
A few years ago I started using wood boards from mill waste to build both resonators and touch interfaces. I find the touchboards to be a great tool to allow a certain kind of flow,… or maybe ’embodied resonance’. gesti e figure con mani L’ornamento è attributo della creativitá, gesto e figura / gesture and figure Within the ornament its own origin becomes infinitely...
Lots of fun playing Benjolins with the FSR boxes! Butterfly Benjolin made by Derek Holzer played with FSR12 frottla aviaria View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) breathing spectra on Benjolin (frottola spaziale) View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) FSR 12, with Benjolin and Blippo ...
who always shared transparent and resonating visions: “A bell of mindfulness, whether it is an actual bell or some other sound, is a wonderful reminder to come back to ourselves, to come back to life, here in the present moment.“ “Within the sound of mindful breathing, compassion is holding the hand of anger, and they dance.“ ☯️ ...
We finally started our research and experiments with the interactive floor. After testing and experimenting for sometime with a variety of smaller settings, this is finally a prototype for a possibly larger floor and walls system that I look forward to developing with Josh Martin, and sharing it with everyone in the near future. ...
Testing a prototype floor/touch board, to use with dancers in a future project I’ll expand this to a 5’x8′ floor with at least 2 piezos to drive Max/MSP, and possibly run multichannel audio out in 8 wood resonators. It should be pretty fun and engaging both to use and watch/listen. …hopefully sometime in a not too distant future : ) …with the blippoo box...
Here’s a new spring instrument built with a small sitka spruce board equipped with a variety of springs and a piezo underneath. Very fun to play. Now I have two spring instruments!! And I am looking forward to playing a nice spring duet with my friend Kedrick who is building his own spring instrument right now! This is dedicated to my dearest friend...
Crow Stone Tone Poem (2016-2020) by Julie Andreyev and a crow Interpreted and performed by Giorgio Magnanensi And here’s a recent performance of the piece at Emily Carr University: A collaboration with a free-living crow who lives in the territory that includes my home. This project is based on interspecies play using stones, initiated by the adult crow who gifted me a...
for Chris Rolfe ναυσίη (nausiē), noise, bruit, rumore, geräusch… il rumore è l’alter ego, Ianus Bifrons la pietra filosofale: a golden stone is still a stone. ansia rumore sogno ******* No speakers used in this set, only 2 sitka spruce resonators and a plate reverb with touch boards (plywood & douglas fir bark), blippoo box, Max/MSP and Bare Conductive sensors. Live recording –...
3 short improvisations using touch on a sitka spruce cloud with piezo to trigger various kinds of audioprocessing in a max msp patch. …and here below using a plywood board …”dream machine” driven by plywood View this post on Instagram A post shared by Giorgio Magnanensi (@giominz) View this post on Instagram A post shared by Giorgio...