


Quadrantid Swarm driven by Reaktor via MIDI Quadrantid Swarm driven by MaxMSP pitch to MIDI (via mic input) …with sinewave drones in the background Quadrantid Swarm driven by MaxMSP pitch to MIDI …with Zeitgeist Quadrantid Swarm MIDI driven by MaxMSP Jitter …and prepared piano (motion to MIDI to sound)...

Testing a prototype floor/touch board, to use with dancers in a future project I’ll expand this to a 5’x8′ floor with at least 2 piezos to drive Max/MSP, and possibly run multichannel audio out in 8 wood resonators. It should be pretty fun and engaging both to use and watch/listen. …hopefully sometime in a not too distant future : ) …with the blippoo box...























dreamcatchers […] fascism doesn’t take root on the margins of society, but always emerges from within the existing status quo. […] Alain Badiou, Metapolitics … and it seems getting worse on a speedy pace: a fast and aggressive emergence of fascistic behaviours, role-modeled by a naked leader and his entourage. But also long engrained in our broken societies, too many around...






























happy lupercalia everyone “European music is based on the artificial sound of the note and the (tone) scale; it opposes the brutal and objective sonority of the world. As a result of an unbreakable convention European music is obliged from the beginning to express a subjectivity. It seems to fight the sonority of the outside world, like a sensitive being resisting the...






































As I’ve been working with oscilloscopes for some time and having fun with them, I’ve created the new category Oscilloscope fun to collect the various experiments and fun oscilloscope videos I made so far. I’ve been using real oscilloscopes and software based ones. The old CRT Tektronix oscilloscopes are always my favorite, but some great results can also be obtained using other resources in Max Msp Jitter,...













Bernard Tschumi – Six Concepts excerpt from Architecture and Disjunction …re-reading this text from a sound perspective. I especially realate to Chapter V […] “Function does not follow form, form does not follow function – or fiction for that matter – however, they certainly interact.” […] and […] “Crossprogramming,” “transprogramming,” “disprogramming” […] ...



