West Coast Radians
WEST COAST RADIANS
a great logo by Max Magnanensi
For a few years I have been experimenting with and building various sets of yellow cedar, red cedar, sitka spruce and maple flat audio-panels to create both instruments and audio diffusors that might engage in a more embodied form of listening and sound thinking. The LINKS below give an idea of the various explorations and implementation of these sound sculptures, and in general about the nature and spirit of these sound objects/instruments/resonators and my personal impetus behind them. You can find more informations in the West Coast Radians pagese HERE
The flat audio-panels are built using large boards reclaimed from discarded piles of wood in mill operations and drifting ocean logs on the Sunshine Coast of British Columbia. After being sliced and smoothly shaped, they are planed and sanded to thin them down to thickness ranging between 2/16”and 1/4” and finally mounted on a stabilizer wood stand.
An amplifier drives the sound into an audio transducer applied to the rear of each panel, exciting the wood boards and transforming their surface into a distributed-mode loudspeaker (DML). In this way the audio is approaching an omnidirectional presence in the way the sound from the panels is dispersed evenly in all directions.
The diffused radiation patterns of all frequencies created on the panels expands the audio source. Sound then propagates through the wood in the most liberated and natural way while becoming omnidirectional in the far field. The diffused sound is stunningly beautiful and softly filtered by the smooth quality of yellow and red cedar or the brighter resonating quality of maple and sitka spruce, which adds to the uncanny character of their physical and sculptural presence.
In the Spring 2018 I presented an installation performance space at the Centre for Interactive Research on Sustainability (CIRS) at UBC with 16 panels driven by a 16-channel system. Both an installation and a performance instrument were also made available to a variety of local sonic explorers during a three-day performance.
I’m currently working with wonderful musicians and friends Marina Hasselberg (cello) and Kenton Loewen (drums) to share the MAGIK beauty of the woods through a diffused space for sound thinking and imagination. A complete list of activities, places and collaborations is at the bottom of this page.
at Zero Waste Conference, Vancouver, Oct 29, 2019
Audiovisual installation for 2 cedar flat panel audio resonators, large cedar round and spectrographic sonification, duration: ad lib, 2015; Sechelt Arts Festival, Seaside Centre – Sechelt, BC
Audiovisual installation with Nicolas Teichrob; Lower reaches of Malcolm Creek – Roberts Creek, BC, July 2016
Sound sculpture (maple flat audio resonator), 2017 Doris Crowston Gallery, Sunshine Coast Art Council – Sechelt, BC
A microsonic environment for variable sound clouds, 1 red cedar flat audio resonator, 6 maple flat audio resonators and oscillographic video. LOoW, ECUAD – Vancouver, January/February 2018
Sound installation/performance space for 16 custom-made cedar and maple flat panel audio resonators in a large sonorous space, 2018; UBC Centre for Interactive Research on Sustainability (CIRS) Vancouver, March 4-10, 2018
Audiovisual installation with Nicolas Teichrob; Tofino Botanical Gardens – Tofino BC, August 2018
Audiovisual installations/performances with Kenton Loewen (drums), Marina Hasselberg (cello), Nicolas Teichrob (visuals), multichannel diffusion and live electronics, 2018 – ongoing
West Coast Radians
8-channel sound installation at the International Environmental Communication Association’s Conference on Communication and Environment (COCE) – University of British Columbia, Vancouver, June 17-21, 2019
The Art Centre – Powell River Public Art Gallery • Powell River, 2019
West Coast Radians
The National Zero Waste Conference • Vancouver Convention Centre, 2018 and 2019
With Silvia Mandolini at Vancouver New Music • Vancouver March 28, 2020
demoing Red Cedar resonators at VNM